YOUR CHATEAU

Potagerie Embroidery Project

Escape to the Chateau fan Rebecca Wilson shares the story behind her beautiful embroidery inspired by the Potagerie design.

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What inspired you to take on this project, and why the Potagerie design? 

Before I started my embroidery journey, I was a huge fan of Escape to the Chateau. I’ve watched the whole series, some episodes more than once!  I love the beautiful family dynamic & the creativity that’s shaped the Chateau into the fabulous home it is now.  I remember watching the episode where Angel designed the Potagerie wallpaper and absolutely loved it. 

I was looking for a new hobby, and in May of 2022, my son gifted me an embroidery kit for my birthday. I was hooked. I purchased some design books with iron-on transfers & some basic embroidery supplies, and looked online for stitch tutorials.  I soon found myself seeing potential embroideries in artwork & nature, and whilst I enjoyed making pieces from pre-designed transfers, I soon felt the desire to design my own. 

In August 2022, my husband-to-be (now husband) and I visited my parents, who live in the Charente region of France.  I had taken photos of some of the artwork at my parents’ home, with a view to creating embroideries from them. Then, on a visit to a local café, lo and behold, the walls were adorned with Angel’s Potagerie wallpaper. 

I was delighted to see it and immediately thought of using the design to create an embroidery, as I thought it would be fairly easy to convert from a drawing to an embroidery design. I love all of Angel’s designs, but this one was my favourite as I loved the representation of the potager garden and the mix of colours. 

How do you plan to display your craft?

I have several of my embroideries framed and hung around my home.  I’ve made a wall hanging from some of them.  I have also made many gifts, personalised for the recipient, including wedding and new baby mementoes, birthday and Christmas gifts such as bookmarks and cushions.  I still have the Potagerie embroidery in my stash cupboard.  It has always been in the back of my mind to gift it to Angel, but I have never had the confidence to do so.  I would love to mount it ready for framing and send it to the Chateau.   

Can you share what the process was like for you, from the first stitch to the final piece - and how it felt to bring a piece of The Chateau to life in this way? 

When I made the first version of the Potagerie I was quite a novice at embroidery. I had taken a photo of the wallpaper at the café, which I then printed out and traced. Then, using the traced image, I used an iron-on transfer pen to draw over the traced lines on the reverse of the image. I then ironed it onto the fabric. 

I selected a linen fabric as the base material and took the photo to my local craft shop to match the colours with DMC stranded cotton.  I painted the fabric with watercolour paint and started stitching.  I didn’t really have a stitch plan, I just decided which stitch to use as I went along (which I now know isn’t the best way to go), but I enjoyed the process as I find stitching very therapeutic, almost meditative. 

I had difficulty covering the iron-on transfer because it’s a non-removable pen type, which made some elements bulkier than I intended. However, given my three-month experience with embroidery at the time, I was pleased with my results. My Mum insisted that I should send it to the Chateau to show it off, and I had a lovely reply from Angel.

Fast forward to March 2024, and I was looking for my next project after completing a wedding memento for my own wedding.  I often look through my photos of completed embroideries to remind myself what I’ve done, and I came across the photo of the original Potagerie. 

Looking at it, I thought I could certainly do it better justice with the experience I had gained since first stitching it, so Potagerie take two began. 

I keep all the reference material for my projects, so I still had the photo of the wallpaper.  However, with my experience, I knew it needed to be bigger so that the embroidered version could show more of the detail from the photo. I used an A4 graph pad & hand-drew the new design, trying to be as faithful to the actual design as possible, but making it easier to embroider. 


I chose a 100% cotton with a calico backing as my base material this time round, as it would give a smoother look to the piece. I used a light box to trace my drawing onto the fabric, using a water-erasable pen, then painted the fabric.  By this time, I had amassed a substantial stash of DMC stranded cotton, so I was able to match the colours to the photo once again.  I decided before I started stitching what type of stitch I would use on each element and how many strands of the stranded cotton thread I would use for each. 

Then I began stitching.  The process of drawing, transferring the design, and painting the fabric took a couple of days, starting on March 28th. 

The stitching commenced on March 30th and I finished on May 5th.  I work full-time, so I generally get to do two to three hours of stitching on a weekday evening and eight to ten hours over the weekend. As a result, it took me between 110 and 153 hours to complete.  The piece has the following stitches:  Silk shading, stem stitch, whipped backstitch, filled detached chain stitch, French knots, colonial knots, fishbone stitch, satin stitch & fly stitch. 

It gives me such joy when I’m stitching, and to be doing this piece again brought me so much happiness. Whilst I was delighted with myself for finishing the first version, this one was so much more enjoyable to do, and I really felt I had done justice to Angel's design.  I shared a photo on a Facebook group and had lovely comments, but only recently decided to send it to Angel, to show her how much better my second attempt was. 

Where do you find inspiration, and how does The Chateau aesthetic align with your own style? 

Many of my pieces are designed with a particular recipient in mind. For example, I recently completed a new baby embroidery for the grandson of my friend. The parents, who are Welsh-speaking and very proud of their heritage, had a boy.  With this in mind, I drew a design of a cute Welsh dragon and incorporated a leek, a daffodil and a sheep into the design. 

Once I have an idea of design and colours, it just sort of formulates in my mind's eye, and I try to transfer that image to paper.  I always ask people about their favourite colours and themes that hold personal significance, such as favourite flowers or iconography. 

If I’m not making a piece for someone, I try to enhance my skills by trying out new styles of embroidery, so I have branched out to try silk ribbon embroidery, beadwork, and goldwork.  As with many of the designs in The Chateau, I look to my environment for inspiration and have a sketch book that I use to do little coloured drawings of flowers, etc. 

We have dragonflies at a local pond that we fish at, so after trying my hand at goldwork, my first piece that I designed myself was of a dragonfly. 

Do you plan to try other embroidery projects inspired by The Chateau?

I would love to create more embroidery projects inspired by designs used at the Chateau.  I’ve had a look at some of the images of different wallpapers and would love to try my hand at creating versions of the Bamboo Folly, the Wildflower Garden, incorporating various stitches, plus the Emerald Fan wallpaper, which I’d love to create a goldwork embroidery. 

I also intend to continue to create my own original designs, inspired by the requirements of a specific recipient, who has asked me to make a piece for them and to continue my embroidery journey by designing pieces inspired by anything I see in my environment, or anything that pops into my head, as things often do.